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{"id":10373691726,"title":"The Prophetic Hadeeth Literature","handle":"the-prophetic-hadeeth-literature","description":"This book endeavors to ensure that the Hadith scholars pay attention to codifying the Prophetic Hadith, establishing the various remarkable sciences related to, for example, the study of the chain of narrators (sanad), actual wording of the hadith (matn), history of the Hadith narrators and each of their criticisms (jarḥ) or praise (ta'dil), obvious and indiscernible mistakes of the Hadith, unusual hadiths conveyed only by one narrator, various ones, and the science of abrogation (al-Nasikh wal-Mansukh), and others. But, up until now, Hadith scholars did not pay close attention to the tremendous literary side of their works.\u003cbr\u003e\r\nScholars and teachers continue studying Hadith from the aspects of Jurisprudence, legislative and terminology alone. The scholars used to take examples from Aktham Ibn Saifi Al-Jaheli and the speeches of Ali Bin Abi Taleb while the Prophet Muhammad, peace and blessings be upon him, was the ideal for writers in his times and even today. In terms of beauty, eloquence and rhetoric, his words, peace and blessings be upon him, come in only second after the Holy Quran.\u003cbr\u003e\r\nThis book exposes the linguistic and artistic expression of the Hadith. It starts with quotes from former scholars who recorded terms of the Prophetic Hadith, and then mentions what they wrote while documenting Hadiths in the common Hadith books. Also, this book briefly demonstrates the subjects of the developed Hadith science and how Hadith narrators listened to these Hadith and learned them by heart. Finally, the book clarifies three main Hadith classifications: authentic, good and weak.\u003cbr\u003e \r\nThe heart of the book talks about the noble Prophet’s personality, source of his eloquence, his opinion regarding poetry, and compares between metaphor and styles used in the Hadiths and in the Holy Qur'an. Finally, the author finishes the book with subjects that deal with daily life using metaphoric phrases about the expressive art of linguistics and rhetoric.\n\u003cdiv class=\"Ar-Desc\"\u003eسعى هذا الكتاب للتأكد على أن علماء الحديث التفتوا إلى تدوين الحديث النبوي، وأنشأوا العلوم الرائعة المختلفة لدراسة سنده ومتنه، وتاريخ رواته، وجرح كل منهم أو تعديله، وعلل الحديث الظاهرة والخفية، وغريب الحديث، ومختلفة، وناسخة ومنسوخة، وما إلى ذلك، ولكنهم لم يعيروا الجانب الأدبي الاهتمام الكبير.\u003cbr\u003e \r\nواستمر العلماء والمتعلمون يدرسون الحديث من النواحي الفقهية والتشريعية والمصطلحية وحدها، وإذا عاجوا إلى عالم الأدب اهتموا بأكثم ابن صيفي الجاهلي، وخطب علي بن أبي طالب كرم الله وجهه، في حين أن رسول الله صلى الله عليه وسلم كان المثل الأعلى للأدباء والمتأدبين في عصره والعصور التي تلت، وحتى يومنا هذا، وكلامه يقف في المقام الأول بعد القرآن الكريم من الفصاحة والبلاغة والروعة والجمال.\u003cbr\u003e \r\nولسد هذه الثغرة جاء الكتاب الذي بين يدينا والذي سعى للكشف عن الفن اللغوي والتعبير الجمالي في الحديث، فقدم بداية قبسات من أقوال العلماء السابقين، مما سجلوه من مصطلحات الحديث النبوية، ثم دون بعض ما كتبوه في تدوين الحديث وأشهر كتبه، وأشار إشارات عابرة إلى علوم الحديث التي ابتدعوها، وسبقوا بها العالم قروناً عدة، وكيفية سماع الحديث وتحمله، وأنهى القول في بيان أقسام الحديث من حيث الصحة والحسن والضعف...\u003cbr\u003e \r\nأما صلب الكتاب فأراده مادو للكلام عن شخصية الرسول الكريم، وينابيع فصاحته، وموقفه من الشعر، وميز بين أسلوب القرآن وأسلوبه عليه السلام، بعدها التفت إلى انتقاء عدد محدود من موضوعات الحديث تتناول معظم جوانب الحياة الإنسانية، وطرزها بعبارات موجزة حول الفن التعبيري اللغوي والبلاغي.\u003c\/div\u003e\n","published_at":"2017-04-18T11:13:30+01:00","created_at":"2017-04-18T11:13:31+01:00","vendor":"Lebanon - DAR EL-ILM LILMALAYIN","type":"Book","tags":["Ages: Adults","Author: Dr. Bakri Shaikh Amin","Dimensions: (17.78 x 22.86)","First Publishing Date: 07\/01\/2005","Format: Paperback","ISBN-13: 9789953632261","ISBN: 995363226X","Language: Arabic","Nitem","Pages: 280","Publisher: Dar 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book endeavors to ensure that the Hadith scholars pay attention to codifying the Prophetic Hadith, establishing the various remarkable sciences related to, for example, the study of the chain of narrators (sanad), actual wording of the hadith (matn), history of the Hadith narrators and each of their criticisms (jarḥ) or praise (ta'dil), obvious and indiscernible mistakes of the Hadith, unusual hadiths conveyed only by one narrator, various ones, and the science of abrogation (al-Nasikh wal-Mansukh), and others. But, up until now, Hadith scholars did not pay close attention to the tremendous literary side of their works.\u003cbr\u003e\r\nScholars and teachers continue studying Hadith from the aspects of Jurisprudence, legislative and terminology alone. The scholars used to take examples from Aktham Ibn Saifi Al-Jaheli and the speeches of Ali Bin Abi Taleb while the Prophet Muhammad, peace and blessings be upon him, was the ideal for writers in his times and even today. In terms of beauty, eloquence and rhetoric, his words, peace and blessings be upon him, come in only second after the Holy Quran.\u003cbr\u003e\r\nThis book exposes the linguistic and artistic expression of the Hadith. It starts with quotes from former scholars who recorded terms of the Prophetic Hadith, and then mentions what they wrote while documenting Hadiths in the common Hadith books. Also, this book briefly demonstrates the subjects of the developed Hadith science and how Hadith narrators listened to these Hadith and learned them by heart. Finally, the book clarifies three main Hadith classifications: authentic, good and weak.\u003cbr\u003e \r\nThe heart of the book talks about the noble Prophet’s personality, source of his eloquence, his opinion regarding poetry, and compares between metaphor and styles used in the Hadiths and in the Holy Qur'an. Finally, the author finishes the book with subjects that deal with daily life using metaphoric phrases about the expressive art of linguistics and rhetoric.\n\u003cdiv class=\"Ar-Desc\"\u003eسعى هذا الكتاب للتأكد على أن علماء الحديث التفتوا إلى تدوين الحديث النبوي، وأنشأوا العلوم الرائعة المختلفة لدراسة سنده ومتنه، وتاريخ رواته، وجرح كل منهم أو تعديله، وعلل الحديث الظاهرة والخفية، وغريب الحديث، ومختلفة، وناسخة ومنسوخة، وما إلى ذلك، ولكنهم لم يعيروا الجانب الأدبي الاهتمام الكبير.\u003cbr\u003e \r\nواستمر العلماء والمتعلمون يدرسون الحديث من النواحي الفقهية والتشريعية والمصطلحية وحدها، وإذا عاجوا إلى عالم الأدب اهتموا بأكثم ابن صيفي الجاهلي، وخطب علي بن أبي طالب كرم الله وجهه، في حين أن رسول الله صلى الله عليه وسلم كان المثل الأعلى للأدباء والمتأدبين في عصره والعصور التي تلت، وحتى يومنا هذا، وكلامه يقف في المقام الأول بعد القرآن الكريم من الفصاحة والبلاغة والروعة والجمال.\u003cbr\u003e \r\nولسد هذه الثغرة جاء الكتاب الذي بين يدينا والذي سعى للكشف عن الفن اللغوي والتعبير الجمالي في الحديث، فقدم بداية قبسات من أقوال العلماء السابقين، مما سجلوه من مصطلحات الحديث النبوية، ثم دون بعض ما كتبوه في تدوين الحديث وأشهر كتبه، وأشار إشارات عابرة إلى علوم الحديث التي ابتدعوها، وسبقوا بها العالم قروناً عدة، وكيفية سماع الحديث وتحمله، وأنهى القول في بيان أقسام الحديث من حيث الصحة والحسن والضعف...\u003cbr\u003e \r\nأما صلب الكتاب فأراده مادو للكلام عن شخصية الرسول الكريم، وينابيع فصاحته، وموقفه من الشعر، وميز بين أسلوب القرآن وأسلوبه عليه السلام، بعدها التفت إلى انتقاء عدد محدود من موضوعات الحديث تتناول معظم جوانب الحياة الإنسانية، وطرزها بعبارات موجزة حول الفن التعبيري اللغوي والبلاغي.\u003c\/div\u003e\n"}

The Prophetic Hadeeth Literature

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SKU: TBKAHN
Weight: 0.431 kg
Publisher: Dar El-Ilm Lilmaliyeen
ISBN: 995363226X
ISBN-13: 9789953632261
Author: Dr. Bakri Shaikh Amin
Format: Paperback
Ages: Adults
Language: Arabic
Theme: Hadeeth
Pages: 280
Dimensions: (17.78 x 22.86)
First Publishing Date: 07/01/2005

This book endeavors to ensure that the Hadith scholars pay attention to codifying the Prophetic Hadith, establishing the various remarkable sciences related to, for example, the study of the chain of narrators (sanad), actual wording of the hadith (matn), history of the Hadith narrators and each of their criticisms (jarḥ) or praise (ta'dil), obvious and indiscernible mistakes of the Hadith, unusual hadiths conveyed only by one narrator, various ones, and the science of abrogation (al-Nasikh wal-Mansukh), and others. But, up until now, Hadith scholars did not pay close attention to the tremendous literary side of their works.
Scholars and teachers continue studying Hadith from the aspects of Jurisprudence, legislative and terminology alone. The scholars used to take examples from Aktham Ibn Saifi Al-Jaheli and the speeches of Ali Bin Abi Taleb while the Prophet Muhammad, peace and blessings be upon him, was the ideal for writers in his times and even today. In terms of beauty, eloquence and rhetoric, his words, peace and blessings be upon him, come in only second after the Holy Quran.
This book exposes the linguistic and artistic expression of the Hadith. It starts with quotes from former scholars who recorded terms of the Prophetic Hadith, and then mentions what they wrote while documenting Hadiths in the common Hadith books. Also, this book briefly demonstrates the subjects of the developed Hadith science and how Hadith narrators listened to these Hadith and learned them by heart. Finally, the book clarifies three main Hadith classifications: authentic, good and weak.
The heart of the book talks about the noble Prophet’s personality, source of his eloquence, his opinion regarding poetry, and compares between metaphor and styles used in the Hadiths and in the Holy Qur'an. Finally, the author finishes the book with subjects that deal with daily life using metaphoric phrases about the expressive art of linguistics and rhetoric.
سعى هذا الكتاب للتأكد على أن علماء الحديث التفتوا إلى تدوين الحديث النبوي، وأنشأوا العلوم الرائعة المختلفة لدراسة سنده ومتنه، وتاريخ رواته، وجرح كل منهم أو تعديله، وعلل الحديث الظاهرة والخفية، وغريب الحديث، ومختلفة، وناسخة ومنسوخة، وما إلى ذلك، ولكنهم لم يعيروا الجانب الأدبي الاهتمام الكبير.
واستمر العلماء والمتعلمون يدرسون الحديث من النواحي الفقهية والتشريعية والمصطلحية وحدها، وإذا عاجوا إلى عالم الأدب اهتموا بأكثم ابن صيفي الجاهلي، وخطب علي بن أبي طالب كرم الله وجهه، في حين أن رسول الله صلى الله عليه وسلم كان المثل الأعلى للأدباء والمتأدبين في عصره والعصور التي تلت، وحتى يومنا هذا، وكلامه يقف في المقام الأول بعد القرآن الكريم من الفصاحة والبلاغة والروعة والجمال.
ولسد هذه الثغرة جاء الكتاب الذي بين يدينا والذي سعى للكشف عن الفن اللغوي والتعبير الجمالي في الحديث، فقدم بداية قبسات من أقوال العلماء السابقين، مما سجلوه من مصطلحات الحديث النبوية، ثم دون بعض ما كتبوه في تدوين الحديث وأشهر كتبه، وأشار إشارات عابرة إلى علوم الحديث التي ابتدعوها، وسبقوا بها العالم قروناً عدة، وكيفية سماع الحديث وتحمله، وأنهى القول في بيان أقسام الحديث من حيث الصحة والحسن والضعف...
أما صلب الكتاب فأراده مادو للكلام عن شخصية الرسول الكريم، وينابيع فصاحته، وموقفه من الشعر، وميز بين أسلوب القرآن وأسلوبه عليه السلام، بعدها التفت إلى انتقاء عدد محدود من موضوعات الحديث تتناول معظم جوانب الحياة الإنسانية، وطرزها بعبارات موجزة حول الفن التعبيري اللغوي والبلاغي.

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